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Okay writers, this one’s for you…
Because you as well as I both know screenwriting ain’t easy. I’ve studied books, I’ve tinkered with software, but when it comes to the actual art of writing a screenplay, it can get pretty intimidating.
If you’re anything like me, I have an undying fear of underdeveloped characters, weak dialogue, and a flimsy story arc that is deemed mediocre and not worth writing. So when friends ask me the dreaded question, “how’s your script coming along?” I tend to inaudibly mumble, glance at the ceiling, and quickly change the subject.
So, if you suffer from the same condition of "I-don't-wanna-write-a-whack-screenplay" syndrome, I have great news for you. There's a cure!
During a Channel RGB Podcast interview with the awesome screenwriter/actor, Adam Simon, I got some solid and inspiring advice that helped me finally get over the hump, and get the ball rolling. Even better news? I’m gonna share it with you. Now, I strongly encourage you to listen to the entire podcast because he drops even more valuable knowledge during the segment but if you’re eager to finally beat the artist block, keep on reading!
Before we dive in, Let me give you a quick backstory about exactly who Adam Simon is, and why I consider him to be a badass artist that you’ll want to take advice from.
Adam’s story is a bit unorthodox, which makes him all the more fascinating to me. He doesn’t exactly come from a background of film school, diligently attending writing workshops, or working his way up the proverbial Hollywood ladder and such-- but one where he discovered his true ability to grind and created incredible work after he hit rock bottom.
During a really dark time in his life (divorce, bankruptcy, unemployment, and ultimately homelessness), Adam had a paradigm shift, and describes his defining moment as, “ Coming to grips with the demons in his life” and deciding that he was going to pursue his artistic endeavors full-time, whole-heartedly— and if he was going to do this, it had to be all or nothing..
“I said this is it. I'm all in. I will pursue these artistic endeavors, and I will do them even to my own detriment, or demise. It didn’t matter. I’m going to write scripts, I’m going to make movies, I’m going to make my own shit, I’ll put on my own plays. I’ll do whatever I can because the need to express myself that way is that important to me."
In short, Adam Simon eats, sleeps, and drinks this life! Currently, he reads and analyzes roughly 3 scripts a week. He has polished scripts for other people, he has written his own work, he collaborates with other writers. And he does it with a passion, that is simply undeniable.
It's also fun to note, that simply put, Adam is a cool ass guy.
Even while recounting some of his darkest times, his tone remains humorous and lighthearted. If I’m being honest, he’s probably one of the most down-to-earth, humble, and approachable people I’ve ever met. He's a super hard worker, yet easy going, and always down to help fellow artists like myself.
Fast forward to today and Adam Simon has got some pretty damn dope accomplishments under his belt. His film Synapse that he wrote and starred in will soon be distributed. His film Man Down (starring Shia LeBeouf, Kate Mara) is now screening internationally. And most recently, he has partnered up with actor and writer Clifton Collins Jr. (Triple 9, Hellbenders) and co-author Gustavo “Goose” Alvarez to create a Film Adaptation of the book Prison Ramen (Cop the book here).
Now, with all that being said! Here’s what Adam had to say about being an authentic screenwriter, and getting your best work out there.
1. Screenwriting Teams: Pick Your Partners Wisely.
For those of you who are looking to write with a partner or two (And you should! Three heads are better than one) Adam emphasizes that you’ll need a solid team to pull off a solid script. And remember, these will be people that you’ll be spending a whole lot of time with. But selecting the right team can make the difference between writing a decent script and writing a brilliant one.
So, what should you look for in a partner? Adam says the key is keeping it about the story. Find partners who are equally as passionate about the story as you are, and be sure it’s meaningful for them too.
He uses his current writing team for the film The Pawn as a prime example with Collins Jr., and Alvarez.
"I think people that are real, and trying to tell their story and tell it truthfully--I think that’s really attractive to me. It’s so great to have that relationship when we’re just collaborating together, and we’re checking each other. There’s no ego. We’re just riffing off of each other, and we’re just doing what’s best to develop strong characters, arcs, and stories and stuff..We’re on the last act right now, and it’s some of the best shit I’ve put down on paper. "
His other golden rule for picking a team is AVOID EGO, or you’ll risk punching your partner in the face. Keep it about the story.
2. Be in the Class of Doing…Learn Through Trial and Error.
Fun-fact. Adam is a self-taught writer. His method for learning how to write a script was studying other great screenwriters. He mentioned that the very first script he ever read was Seven starring Morgan Freeman and Brad Pitt. He printed a copy and closely studied the format, and tried to mirror it with his own script. Then, he analyzed it a bit deeper, and studied when writers would reveal things about characters.
In addition to studying scripts, he also read screenplay books that taught the mechanics of screenwriting. He does however caution writers when studying books like, Save the Cat…
"There’s a lot of great things in [Save the Cat] but I don’t subscribe to the philosophy in the book. I understand that some of the things in that book particularly are geared towards selling screenplays. Like, ‘this is what Hollywood is looking for, this is what audiences are looking for, so create this, go get it out to market, and do it.' That’s not the shit I wanna do. If I wanted to make Big Macs, I’d work at McDonalds. I don’t wanna make Big Macs. I wanna make shit that people are gonna remember 40… 50….60…100 years from now."
“Giving people what they want..I never concern myself with that. I want to show them who I am. I want to share my experience. There’s so much of me that went into the story of Man Down…"
Which brings me to the next gem of advice….
3. Write What You Care About, Not What the People Want.
Adam makes an interesting point that today’s film industry is saturated in formulaic, commercial cinema. Oftentimes, audiences will enter the theater to raise the questions, “Okay, who’s the bad guy, who’s the good guy, where’s the comic relief?” and ultimately, "when/how does the good guy win this time?"
His argument definitely reminds me of the American Ideology in cinema, and the belief that we as a society are conditioned by principles and values that we believe to be unarguably true, like “hard work will always pay off”, “or light will always defeat the dark”
Oftentimes, Adam’s work portrays an alternative perspective other than black vs. white, or ties into his own experiences, eliciting authenticity, something real, and something human.
Man Down came from—really simply—my frustration at trying to be a dad--My struggle to be the best father that I can be.”
Adam goes on to speak about his his firsthand experience with classicism , and his strong stance against how military personnel are treated when they return, and if you watch his work, somewhere you’ll find traces of these beliefs, experiences, and stances.
So, what grinds your gears? What keeps you going everyday? What makes you laugh uncontrollably? What breaks your heart? Write about it.
"If you care about something—if you’re writing about something that comes from your heart, if you care about it, other people are gonna care about it. And I think I’d rather have writers focus on that than a lot of the mechanics."
and keep writing….
Adam, stresses to just write.
"Keep writing. If you want to write, write! Make notes, write scripts, Just be writing constantly. When I wake up in the morning, I write. I write all damn day."
So, thanks Adam. I’ll do just that...
This post is truly the tip of the iceberg when it comes to all the insightful info he gives in the podcast. Trust me when I say, there’s even more gems in the interview, check it out below. And definitely share any other tips or advice that you’ve picked up while writing you own screenplays. Can’t wait to hear them! Peace.
It took me up until January of this year to realize— I love cinematography. It’s honestly one of the things I love most about filmmaking—carefully lighting and composing a shot to add impact to a story, and submerging your audience even deeper into the narrative through stylistic choices.—It’s definitely a rewarding challenge to take on.
I’m always wondering how talented cinematographers like Simon Duggan, or Philippe Le Sourd achieve their amazing shots with such captivating dimension! Thus, when I learned MZed was releasing another Alex Buono’s Visual Storytelling 2 tour, the timing was perfect. The workshop consists of 11 hours of training that involved a morning workshop, and an evening lecture. I quickly snagged the “Full Experience” crew seat, which guarantees a spot in the front row, and a chance at volunteering for some hands on time.
So, let’s get to the meat of this post. Is it worth it?
How much is it?
It will run you $300 for the full experience, which includes the morning workshop & evening lecture. (Definitely check for coupons floating around—I was able to get $15 off using one). You can also opt for one or the other for a cheaper price. Admission comes with some other really awesome goodies—which are also listed below
Some topics that are covered in the Full Experience (in no particular order..)
- Custom Bokeh
- Pixel Stick Demo
- M0vI Demo (my favorite!)
- Color Correction
- Mixed Lighting Situations
- How to shoot an Interview
- How to shoot an Interior Car Scene
- Lighting for Exterior Shots
- Practical Gear List
- Visual Subtext Lecture (Another favorite)
So to be honest, It sort of goes without saying, if you can actually attend the workshop vs. purchasing the DVD/Download you get WAY more bang for your buck. As, the DVD/Downloads is $50 MORE than actually experiencing it first hand. Not to mention the opportunity to just chat with Alex Buono himself and run some of your burning questions by him is pretty amazing. Both he and his team are very approachable, and definitely take the time to give you pointers and advice about your own personal projects—which is huge.
That’s not to sell the download short though—you literally get all the details and knowledge that you would if you attended the workshop—Give or take a few things. The presentation of this workshop is extremely organized—so there’s nothing covered in the workshop that is not also on the HD download. It’s all there for the most part.
Which is the best? The Morning Workshop or Evening Lecture?
Both sessions definitely hold their own weight. It’s like bacon and eggs. One without the other just isn’t quite right. Go to both, seriously. The morning workshop walks you through techniques and how-to’s for achieving visually pleasing shots. Which of course is what we want to see! But the night lecture, in my opinion goes a whole lot deeper, and pushes you to figure out why you’re composing the shots the way you are, and how can you give your visuals a deeper meaning and purpose. I mean—I know this is vague, but I’m not trying to spoil it for those who are planning to go. So just trust me on this one…It gets deep. Just go to both. Bacon and eggs.
What was it like to have a crew seat?
So for those who don’t know, a crew seat guarantees you a front row seat to experience all the action, as well as a spiffy Visual Storytelling 2 “Crew” T-shirt. You also get the opportunity to do more hands-on-training if a volunteer is needed.
If you miss out on getting a crew seat. It’s really no big deal honestly. Minus the shirt—You’re still right there in the action the whole time. Plus, if the crew aren’t up to volunteer, Buono does give those who are sitting further back an opportunity to participate.
Don’t be nervous to volunteer either, he’s not having you set up a complex rig or anything. If it helps, I struggled with a c-stand (how embarrassing), but Alex still made the exercise super fun, and informative. So raise your hand!
Is it worth the price?
Now for the verdict, is it worth the price? Again, I have to reiterate if you can actually go experience in person while he’s on tour, then YES! Absolutely worth the money. You get so many perks, special offers, opportunities to network, and of course 11 hours of intensive cinematography education for 300 bucks. If Buono had a Visual Storytelling 3 (Crosses fingers) I’d buy a ticket in a heartbeat.
As for paying $350 for the download set? I’m going to be honest—that’s up for debate. You don’t get access to the freebies and perks, you lose the aspect of hands-on experience, and it’ll run you an additional 50 bucks. Grant it the education is still valuable information at your fingertips on this DVD….But for those on a tighter budget, if you go out in the field, network, and do some extensive researching on cinematography, you can find this information at a much smaller cost. Would I buy this DVD for $350 bucks?— Nah…
So I hope this answered any questions for those of you still on the fence. There are still a few open tour dates left—if you can, SNAG the tickets! If not, definitely see if Mzed has a sale where they reduce the price. All in all, I’m definitely a fan of the Visual Storytelling tour.
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What up pandas?!
I know...I'm well aware it has been a minute, but boy did I miss you...fellow blog reader. I felt it was only right to end the year working on something I sought out to do at the beginning of the year, which of course is share my journey on madpandalab.com.
This year was crazy. A whole lot of ups and downs. From discovering my newfound interest and focus in cinematography all the way down to the end of a 3 year relationship. I laughed, I cried, and without a doubt, I grew....
My greatest takeaway from 2014 is...
"Don't try and do this alone."
Why this took me years to really embrace--I have no idea. But now that I have, there's no way I'm going back to doing the solo thing. I took a whole lot of pride in being a "one man band" (Or one girl band--whatever). I believed it gave me a competitive edge. The fact that I could shoot, edit, color grade, do some SFX here and there, photography, and design sounds amazing. Only thing is....it's sort of a waste of time.
I truly can't tell you the amount of hours I've spent isolated studying a massive variety of skills only to simply be mediocre at them. I learned...
"It's better to be a master in a small skill set, than a Jack of all trades."
When you focus your skill set and become a beast at it, you become really valuable to a team that can use your expertise. Besides, that's what it takes to make a brilliant film--a team. When you isolate yourself by trying to do everything alone, you miss out on meeting and collaborating with some incredibly talented and amazing people.
You ever noticed back in the 90's, all the TV shows where superheroes would combine their powers to defeat the enemy? Power Rangers had the Megazord, and Captain Planet was summoned by earth, wind, fire, water and heart? Yea, they were on to something! Seriously though, there's nothing like a group of talented and creative individuals coming together to tackle a project. That goes for any art. Music, filmmaking, even photography. Collaborate and Share!
Something else I've been trying with my newfound discovery is reaching out to people who inspire me and offering my skills. I'm talking about people who write for big budget films, and photographers who shoot celebrities. I think we often get the impression that high end artists are unreachable because they work with celebrities that are--well, unreachable. But really, half the time they aren't. Drop them a line--comment on their facebook page. You'd be surprised how quickly they respond.
"True artists are inspired by the fact that they inspire you."
I nearly spazzed out this year when one of my favorite photographers replied to a comment I left her on Facebook. I was stoked a few months ago when I was standing there conversing with an instructor who traveled the world to teach Photoshop and Photography.
I will carry this discovery with me in 2015. And not just apply it to my craft, but my life as well. I believe community, and camaraderie is critical in the world we live in now. Surround yourself with people who inspire you, and also those who bring you joy. And I am so grateful for those who take the time to read my blog, view my work, and reach out to me--and those who continue to root for me even when I stop rooting for myself. There may not be many of you, but you guys help me to come out my shell more, share more, and keep pushing forward.
So, just a heads up. You'll see a whole lot more panda in 2015! =)
See ya next year...
It was a beautiful autumn afternoon this past Sunday, so I thought I'd go outdoors and take a few photos of some of my favorite creative books that I've read this year. Throw these bad boys on your book queue. You won't regret it.
Frugal note: This is all about being on a budget right? So let's get a little more cost effective with the "try before you buy" method. Order these books at your local library to see if you love them as much as I do. Why? Because there's no better price than FREE!
For the photographers who are looking to take their work to the next level, Adler challenges you to completely transform your portfolio in a year. This book lists out 52 weekly photography challenges for you to explore that really test you creatively. For example, take a photo focusing on one color (I like that challenge). Along with the challenges, she pulls back the curtain on her own work, showing you how she tackled the challenge, lighting setups, and techniques she used in post. There's a lot of good content packed in this book. For those of you who take the challenge, definitely let me know!
2. Color - Messages & Meanings: A PANTONE Color Resource - Leatrice Eiseman
That moment when you realize that choosing a color because it's "pretty" no longer cuts it. This book is a super convenient reference that breaks down colors and their symbolism both historically and contextually. Not to mention the design aesthetics in this book are on point (Check the back of the book for some sweet color palette inspiration!). I'd actually recommend just buying this one to have on your bookshelf for quick reference access.
(Note: The random purple swatches don't come with the book. But they're a great aid for creating monochromatic palettes. You can find them at a hardware store in the paint section. Guess how much they cost? Freeeeeeeeeeee.)
Really real with the realness. Super real. This book keeps it 100. I absolutely love this book. All the burning questions that you have concerning photography? Chances are they can be answered in this book. Zack Arias's no bullshit approach covers all kinds of questions from camera gear, pursuing photography full time, portfolio advice, expenses, even business cards!--Oh my god just read it. Seriously, one of my favorite books.
If you have an ounce of creativity anywhere in your body, you should go ahead and read this cute little book. It's a short read, but it's full of inspirational quotes that will get your wheels turning. In 10 insightful steps, this book fills you in on how to tap into your influences, and create your best work.
I read cool little books like this all the time, so I'm sure there will be another installment of my favorite creative books to share. What other creative books should I be adding to my book queue? Anything I miss? What are your favorites. As always, comment below and let me know!
--Mad Panda Out
P.S: Shout out to my dog Shinobi for hanging out with me while I took these photos. =)
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